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  • It is tempting to envision

    Grimes Point is located at the western tip of the Lahontan Mountains. Here there are abundant petroglyphs pecked into basaltic boulders distributed along crude shoreline terraces formed by waves of Lake Lahontan.  The age of the petroglyphs is not known so temporal associations with lake levels cannot be made with certainty, but it is tempting to envision Native Americans lounging amongst the rocks idly pecking away after a nice swim or clam bake.
    Susan H. Zimmerman, Kenneth D. Adams, and Michael R. Rosen, 2015 [1]

    The last phrase in the above quote is highlighted so we may think with it for a moment.  Certainly it is tempting when encountering petroglyphs to attempt to envision indigenous lifeways at the time the stones were carved.  Envision means to imagine, to conjure a picture in the mind.  Such a picture will always be our picture, our frame, our composition, the cosmos on our terms.  If words such as lounging, idly pecking, nice swim, enter into our picture it is time to recognize we have conjured our fantasy.  Time to step back, way back, to sense this place’s presence. Look and listen. The stones abide; the petroglyphs resound.

    Recognize, too, in the 20th century the material reality for this place, these stones, has often been one of destructive impacts and disregard. Roads through the site, bulldozing, quarrying, boulders displaced, removed, damaged or destroyed, painted signs and graffiti. [2]  Beginning in the 1950s, the Grimes Point petroglyph area was used as a trash dump for Fallon, a few miles to the northwest. [3] Only since the 1970s have protective measures by the BLM encouraged care and respect. [4]  The stones abide; the petroglyphs resound.

    [1] Susan Zimmerman, Lawrence Livermore National Laboratory, Ken Adams, Desert Research Institute, and Michael Rosen, U.S. Geological Survey.  2015.   From “Modern, Holocene, and Pleistocene Lake Locales in the Western Great Basin, Nevada and California.”  Trip 3, June 15–19, 2015, in the Field Trip Guidebook, Sixth International Limnogeology Congress, Reno, Nevada.  p67.   
    [2] Karen M. Nissen 1982.  Images from the Past: An Analysis of Six Western Great Basin Petroglyph Sites. PhD. Diss, UC Berkeley.  p294.  During two field seasons in the 1970s Nissen recorded or noted over 900 boulders with petroglyphs at Grimes Point.  
    [3] Robert Heizer and Martin Baumhoff.  1962. Prehistoric Rock Art of Nevada and Eastern California. p18.
    (4) Grimes Point Archaeological Area (BLM).   Online Nevada: Grimes Point (Alanah Woody)

    Photos at Grimes Point

  • Grimes Point of View: One boulder, a worldview

    Art engenders becomings, not imaginative becomings - the elaboration of images and narratives in which a subject might recognize itself, not self-representations, narratives, confessions, testimonies of what is and has been - but material becomings, in which these imponderable universal forces touch and become enveloped in life, in which life folds over itself to embrace its contact with materiality, in which each exchanges some elements or particles with the other to become more and other. Elizabeth Grosz [1]

    Grimes Point Archaeological Area, an extensive, fully accessible, and signed field of dark boulders with archaic petroglyphs, is adjacent to Highway 50 east of Fallon.

    The locale looks west and south over the Carson Sink, a terminus of the Carson River, in Churchill County, Nevada. Well-managed by the BLM, it is listed on the National Register of Historic Places.

    Some boulders bear arrays of deeply patinaed cupules. These ancient “conical pits” associated occasionally with lines or grooves led to Baumhoff and Heizer’s in 1958 (and 1962) typing the “pit-and-groove” petroglyph style. They conjectured that this style represented the earliest petroglyphs in a wide expanse of the Great Basin. Though they cautioned their proposal as tentative pending dating, many rock art writers in the ensuing decades reified this style as fixed truth. I do believe these cupuled boulders are, in many of the instances I’ve seen in the northern Great Basin and Columbia Plateau, early Holocene (7,000+ years before present time [BP]). However, the designs and configurations are not rightly constrained as fixed cultural “elements,” while solid dating remains elusive. A worldview beyond grasp. What we have is the beauty of the densely-colored, dimpled desert boulders recalling watery eras – a sensible materiality. 

    This is one boulder: Point of View

    [1] Elizabeth Grosz. Chaos, Territory, Art: Deleuze and the Framing of the Earth (2008) p.23