At hand, the deeply dark petroglyphs near Carson Sink in northern Nevada. It’s tempting to peruse the boulders and images, then wind along my away.  Lingering, my thoughts imagine the possible landscapes – waters, plants, birds, animals - how this country may have varied when the peoples who carved these images resided in and traveled through. These wonderings wheel back to considering how the landscape appears today. And what the future holds.
Sounds of the national anthem drift across the early desert. Loudspeakers a few miles away. I notice 8 a.m. The anthem sifts over the quiet land from the Naval Air Station near Fallon: “Home to the Fighting Saints of VFC-13, the Desert Outlaws of Strike Fighter Wing Pacific, and the Naval Strike Air Warfare Center, NAS Fallon serves as the Navy’s premier tactical air warfare training center.” 
A scattered patchwork of five bombing ranges comprising 100,000 acres inscribe on the nearby terrain of Northern Nevada.  Though the rock art meanings may seem mute in this presence, the carvings induce listening and looking, as unfurling intimations - there and here, past and future. A necessary and material sense of change turns, refolds, embraces this earth.
 Modern research on the region’s rock art began with Julian Steward (1929); enhanced by Martin Baumhoff and Robert Heizer (1958; 1962); followed by Karen Nissen’s detailed documentation in the 1970s (1982).
 Naval Air Station Fallon
 The Center for Land Use Interpretation