BLOG: To Become Visible

California
  • Emanation

    Two carved images directly connect with natural orifices in the stone surface.  As a flowing it appears.  Emanation comes to mind.  Orifice as origin, or perhaps aperture leading inward, an infusion. What the carvings mean or indicate is unknown.  We may speculate: a movement of spirit-power in some way.  Perhaps the carvings were made in gratitude, in hope.  Perhaps representing an experience or a desire through which the act itself releases energy.
    The first image (top), from well-known Chalfant In Mono County, California, is carved into Bishop tuff - Chalfant, an eastern cliff edge of the Volcanic Tablelands.  The second image (above), from a basalt rim in central Lake County, Oregon.  Both overlooking close-by water flows.  Both with clear mountain-ridge views and toward the rising sun.
    These images seem to emerge from unconscious patterns, archetypal forms, which as they are formed by the carver vary as influenced by culture and landscape.

    On form, Henri Focillon writes, “Although [form] is our most strict definition of space, it also suggests to us the existence of other forms. It prolongs and diffuses itself throughout our dreams and fancies: We regard it, as it were, as a kind of fissure through which crowds of images aspiring to birth may be introduced into some indefinite realm.” (from The Life of Forms in Art, 1934)

  • Gravity and the mystery of water

    Rock art abides in the landscapes of the desert west.  Quiet tension between stone and the ephemeral of endurance. It’s gravity, volcanics, the mystery of water. The exposure of stone. The human markings reflect the fluid past, the bone dry seasons, spirits of place. Aspiration, nurturance.

    Four images below from the Volcanic Tablelands, Inyo/Mono Counties, CA, March 2019. Included in Landscopes II - an album of a March 2019 Equinox road trip in western Nevada and eastern California

  • The Inhabited Land, Seasons Round

    Toward the autumnal Equinox in Lassen County CA, September 2018.  A land inhabited for millennia, shifting radically in the last two centuries as indigenous peoples were discounted and displaced as euro-americans claimed, named, and settled in.  Still, the seasons, they go round and round, melding change, circling, spiraling, segmenting a wholeness. Sun, moon, earth, water: a reminding as time becomes space, space folds into time.

    Two collections of images:
    Lassen Inhabited: Canyons, roads, rocks, ancient and modern
    Seasons Round Cycles of Being and Becoming

  • An Image in Volcanic Tablelands

    How and where does an image begin or end.  To re-present a petroglyph in a photograph is always to contain.  This re-imaging becomes imaginal, an interpretation.  When the petroglyph suggests flight, or soaring, perhaps it is a moment to follow along, drift, look out, up, and away.  

    The three photos below offer aspects of this east-facing petroglyph-on-basalt.  This petroglyph is one among the countless array at the well-documented, public BLM site called Chidago/Red Rock (MNO-8), located about 20 miles north of Bishop CA. (Photos Douglas Beauchamp, April 2018)

    The image appears bi-symmetrical. Suggesting wings, feelers or streamers, antennae or pincers, extend from a segmented “body” with a three-part “tail”.  Perhaps of a spirit-being realm.


    The image extends beyond the stone, here in landscape-view looking south toward the Owens River Valley and beyond - the Sierras.  One of many ways to see.


    Another series of markings, perhaps a second petroglyph, is below the first image. A different time or different intent? Or related? If so, how?