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  • Faster than the eye can see

    Everything perdures by ceaselessly generating fresh variants of itself, even apparently inanimate objects move faster than the eye can see. Kaja Silverman {1]

    The stone, the lichens, the images, indeed, the light slip by faster than I can see.  With this basalt rim in Lake County, instances of impressions shifting before my eyes. 

    I do not recognize the place in these fleeting moments as much as the place and its beings recognize me. Still, I will seek to interpret through the camera and later through editing, inevitably inhering a "grand capacity for deliberately forgetting."

    Photos:  https://plus.google.com/+DouglasBeauchamp

    Or:  Impressions 

    [1] Silverman’s consideration of Paul Valéry, drawing from his "Introduction to the Method of Leonardo," continues:  "The armchair decays in its place, the table asserts itself so fast that it is motionless, and the curtains flow endlessly away,” Valéry writes in an important passage.  The only way we are able to regain our "control" in the "midst of the moving bodies, the circulation of their contours, the jumble of knots, the paths, the falls, the whirlpools, [and] the confusion of velocities" is by resorting to our "grand capacity for deliberately forgetting." Kaja Silverman in Flesh of My Flesh (2009, p.35).